We have an exciting new exhibition at Brandywine Workshop and Archives called “All My Ancestors – The Spiritual in Afro-Latinx Art” that opens February 2022. The exhibition is curated by Tatiana Reinoza, PhD, who is an art history professor and, independent curator who is currently writing a manuscript on the history of Latinx printmaking. Please join us in celebrating these works from the Artura.org collection and learn more about Tatiana’s research.
Exhibition: All My Ancestors – The Spiritual in Afro-Latinx Art
Curated by: Tatiana Reinoza, PhD. featuring works from Artura.org
Location: Brandywine Workshop and Archives, Printed Image Gallery, 730 South Broad Street (Avenue of the Arts), Philadelphia, PA, 19146
Exhibition Dates: Thursday, Feb 10th – Saturday, June 18th
Gallery Hours: Monday – Friday from 10am-5pm
Virtual Opening Reception: Thursday, February 17, 2022, 7:00-800 PM (EST). Join us for a virtual opening with curator Tatiana Reinoza, PhD in conversation with artist-scholar Arturo Lindsay, DArts. Click here to RSVP for the Virtual Opening
Lecture with Tatiana Reinoza, PhD, curator of All My Ancestors: The Spiritual in Afro-Latinx Art
Date: Saturday, March 26th
Time: 3:00 PM EST
Location: Pennsylvania Academy of the Fine Arts (PAFA)
The John and Richanda Rhoden Arts Center Auditorium/Samuel M.V. Hamilton Building
Pennsylvania Academy of the Fine Arts
118–128 North Broad Street
Philadelphia, PA 19102
Fee: FREE and open to the public, no RSVP required
Reception and Exhibition Viewing Following Lecture
Date: Saturday, March 26th
Time: 5:30–8:00 PM (EST)
Location: Brandywine Workshop and Archives
730 South Broad Street
Philadelphia, PA, 19146
Fee: FREE and open to the public, no RSVP required
Tatiana Reinoza, PhD.
Assistant Professor of Art History, Dept. of Art, Art History & Design, University of Notre Dame
Tatiana Reinoza earned her doctorate in art history from the University of Texas at Austin. Her research and writing focus on contemporary Latinx art. She specializes in the history of printmaking with an emphasis on the themes of immigration, race, and histories of colonialism. Her current book project Reclaiming the Americas: Latinx Art and the Politics of Territory is an interdisciplinary study that examines how Latinx artists adopted the medium of printmaking, historically used by Europeans to chart and claim New World territories, to reclaim the lands of the Americas as belonging to indigenous, migrant, mestiza/o, and Afro-descendant people. It brings together the subjects of art, immigration, and geography to shine a light on one of the most popular, and yet understudied, mediums for Latinx artists. Professor Reinoza is also coediting an anthology that will commemorate the fiftieth anniversary of the East Los Angeles workshop Self Help Graphics. Her academic writing has appeared in journals, edited anthologies, and exhibition catalogues such as ¡Printing the Revolution! The Rise and Impact of Chicano Graphics, 1965 to Now (2020). Before joining the University of Notre Dame, she taught art history at Dartmouth College, where she held a three-year Society of Fellows postdoctoral fellowship.