Promise Land

Willie Burch

About the Print

Willie Birch’s art highlights the multilayered and emotional experiences of African American culture. A colorful and engaging urban street scene, Promise Land shows members of a Black congregation standing in front of a storefront house of worship in diversity-rich Brooklyn, NY.
—From Brandywine Workshop and Archives records

Willie Burch

American
Born November 26, 1942
New Orleans, LA
About the Artist

New Orleans-born painter and sculptor Willie Birch earned a BA from Southern University and A&M College, Baton Rouge, LA, and an MFA from the Maryland Institute College of Art, Baltimore.

Birch’s work has been exhibited at Massachusetts Museum of Contemporary Art, North Adams; McKinney Avenue Contemporary Museum, Dallas; and The Delaware Contemporary, Wilmington, among other institutions. His work is in major public collections including the Civil Rights Museum, Memphis, TN; The Delaware Contemporary; Harlem Hospital Center and Metropolitan Museum of Art, New York City; and Pennsylvania Academy of the Fine Arts, Philadelphia.
—From Brandywine Workshop and Archives records

Curriculum Connections

Suggested Topics for Expressive Writing

Expressive Writing

The writings of Haki R. Madhubuti reflect a similar way of stereotyping as the word-prints of Edgar Heap of Birds. People of African descent are disproportionately represented in entertainment—as dancers and singers, particularly—and in professional sports. They are perceived as physically strong and fast. In American society, Blacks may entertain, play sports — or cook and clean. Outside of those realms, however, Blacks both with and without advanced education, social prominence, and financial success are considered dangerous, therefore representing a threatening presence at both ends of the socioeconomic spectrum.

Our abilities as viewers to understand the messages and connections that the artists hope their imagery will convey is largely based on the extent of our own experiences and information that we bring to viewing and interpreting the artwork. In many countries, these types of messages are not brought to broad public attention and are often considered subversive.

Questions to Consider
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